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Stark, disturbing, disorienting, director Hiroshi Teshigahara’s Woman in the Dunes (1964) is a masterpiece of macabre metaphor. An entomologist searching for specimens of insects in a desert at the edge of a seaside misses his bus back to Tokyo and is offered to spend the night in the hut of a young widow at the bottom of a sand dune surrounding it on all sides. He discovers the next morning that the ladder has been pulled up by the local villagers trapping him with the woman for years to come.
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